【廣告】
青銅鼎
在工藝美學(xué)上,它是一套稀世之作,從文化考古角度分析,它是我國青銅器時代的集中代表,從鑄造工藝技術(shù)上看,它標(biāo)志著中國的歷史已結(jié)束了野蠻時代,進入了文明的時代。通體以細密云雷紋為地,頸部飾由夔龍紋組成的蕉葉紋與帶狀饕餮紋,肩上飾四條高浮雕式盤龍,羊前身飾長冠鳥紋,圈足飾夔龍紋。令人遺憾的是:盡管有關(guān)九鼎的資料,不絕于歷代史冊,但在二千多年前,它就早已不知隱身何處了。
月底,上海市管理會派員至蘇州,將二鼎妥運回滬。明年,二鼎藏于上海博物館。1957年,大盂鼎轉(zhuǎn)藏于中國歷史博物館。
鼎古代原是飪食器,后來變?yōu)榻y(tǒng)治政治權(quán)利的重要象征,視為鎮(zhèn)國之寶和傳國之寶,也是“明貴賤,別上下”等級制的標(biāo)志。史載,天子九鼎,諸侯七鼎,卿大夫五鼎,士三鼎或一鼎。
Shanyuan baoding design for the three tripod shape, ding high 7. 158 meters, maximum diameter 5. It's 8 meters and weighs 90 t. It had three tiers and its ears were one high. 842 meters, ding height 3. 68 meters, full height 1. 48 meters. The tripod has eight compartments in one week, among which six compartments are the real picture of the four famous buddhist mountains, the panorama of the xilai temple and the jading tripod. The other two compartments are respectively inscribed with eight characters: "xilai ancient temple" and "shanyuan baoding".